13 Reasons Why
13 Reasons Why is Netflix’s chilling
adaptation of Jay Asher’s best-selling, 2007 Young Adult novel, Thirteen Reasons Why. The novel and the Netflix
production tell the story of Hannah Baker, the bright, complicated teen does
the unthinkable, yet the true protagonist is Clay Jensen, a socially awkward,
sensitive boy who is Hannah’s friend, co-worker, and most importantly,
potential savior.
Unfortunately, at sixteen, Clay didn’t have the language to express the depth
of his feelings for Hannah, and as the events start unraveling, a series of
incidents suck the teens into a whirlpool from which neither can escape. We
watch as thoughtless acts push a girl toward self-destruction, the consequences
of her suicide, and its effect on her parents and those in her high school who
pushed her to suicide. Unlike the book, the thirteen-episode format of 13 Reasons Why allows the writers to go
beyond Hannah’s retelling of the events and to delve into the backstories and
motivation of her those who treated Hannah with apathy and heartlessness.
The thirteen
reasons are the seven secret cassettes Hannah recorded prior to her demise.
Each double-sided tape details bullying, betrayal, and unimaginable brutality
from those she considered friends. There is Justin, a handsome jock with whom
Hannah shared an innocent kiss. Unfortunately, Justin and his friends twists Hannah’s
beautiful moment into a sordid tryst affair and their thoughtlessness labels
her the school slut. It doesn’t help when another boy bestows title of “Best Ass”
in the school on her. The discoveries on the tapes escalate into a cascade of
lies, shaming, and duplicity that come to a head when the school’s golden boy
brutally rapes Hannah. After the attack, a fragile Hannah turns to a school counselor
who appears powerless. She then decides to take her own life in one of the most
brutal depictions of suicide ever put on film. Because of the tapes, the story
doesn’t end with her death, and the repercussions begin.
Dylan Minnette and Katherine Langford |
The cast,
led by Dylan Minnette in an impeccably nuanced performance as Clay, and Katherine
Langford’s soulful performance as Hannah, is superlative. The lead actors not
only have palpable chemistry with each other, they also embody their roles with
authenticity and pathos; however, the star turns are not simply limited to the
leads. Alisha Boe is remarkable as Jessica, Hannah’s troubled friend who
betrays her, as is Miles Heizer, the boy who comes between Hannah and Jessica.
Brandon Flynn does fine work as Justin, the jock whose callousness started Hannah’s
descent.
While the
younger actors are all superb, the older actors deserve kudos too. Kate Walsh
gives a heart-breaking performance as Hannah’s mother and Derek Luke hits all
the right notes as Hannah’s befuddled counselor.
The series
has had its detractors, especially from those who feel it glamourizes suicide
by allowing Hannah’s story to live on through the tapes. Others hated the
take-no-prisoner depiction of Hannah’s rape and suicide. I disagree with the
disparagers on both points. The tapes allowed me as both a reader and a viewer
to understand the mindset of a troubled teen and share her desperation. Sexual
assault, depression, and self-destruction are never glamorous and the show
presented them in the most graphic detail possible. Who can gage the success of
season two without the novel as a guide, but if the writing matches the acting
and production values of the previous season, fans of the show are in for a
five-star ride.
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